![]() ![]() As these examples show, fashion and the fine arts have, and always will, go hand-in-hand.In this tutorial you’ll learn to create a vintage-style fashion illustration. But designers have always worked with artists, long before the commercial pressure to create these lucrative, must-have lines. Today, in our fast-paced digital world, the need to create cult status in a saturated market drives increasing demand for the 'new', which frequently sees fashion houses looking beyond their own front doors for inspiration. Produced in limited numbers, these modern collaborations are photogenic, press-worthy, and add a certain cultural cachet to the world of high fashion. Similarly, the London-based shoe brand Jimmy Choo commissioned Rob Pruitt to sprinkle his magic on a range of accessories, resulting in shoes and bags emblazoned with monochrome animal prints and crystals. In 2011, another Brit artist, Tracey Emin, looked to her own back catalogue to inspire a trio of cashmere pieces for the Australian label Banjo and Matilda for a charity fundraiser, while Paul Smith recently worked with the painter John Tierney to incorporate his own rendition of Smith's Instagram-friendly pink Melrose store in LA into his collection on t-shirts, swimming trunks and more. Later, YSL achieved cult status again for his watershed 1976 Ballets Russes collection which, although not directly inspired by an artist, was immersed in artistic references and had a bohemian, painterly feel to it. St Laurent was also close to Andy Warhol in an era when everyone hung out with rock stars at Studio 54, and the pop artist almost certainly influenced his designs. In its most obvious form, this relationship can result in literal translations of one person's artwork: Yves St Laurent's famed 1965 shift dress, replicating Piet Mondrian's renowned primary-colored block print, highlighted the relevance of cubist art in popular culture in the sixties, long after Mondrian's death in 1944. It's impossible to suggest that British designers are shaped only by British art, because the wonder of the creative mind is that it draws ideas from a plethora of sources – a snippet of vintage oriental silk, a faded photograph, a Moroccan mosaic or a rare sketch by an obscure artist – and amalgamates those into a cocktail of fresh shapes and colors that seem relevant to the modern day. Over the years, art and fashion have enjoyed a rich relationship, sometimes bold and brazen, often more understated, yet always stretching way beyond the boundaries of geography to bring global influences to our wardrobes. ![]() You only have to look at the guest list at London events like the Serpentine Summer Party to see the patchwork of artistic talents that come together to form one of the most dynamic creative centers in the world. From architects and sculptors to contemporary concept installation artists, the creative mind comes in many forms, and often has varied influences. The reality is that creative folk are rarely immersed in the bubble of their own discipline, but absorb a wealth of ideas around them.įashion designers are curious about shape and form, fascinated by color, intrigued by social, historical and cultural references, and therefore find themselves drawn to art galleries, to museums, to artists' studios and archives, and to simply hang out with their contemporaries in the art world, or other design disciplines. But in truth, many of the truly great creatives I’ve seen at design houses over the years are as talented in their own way as any fine artist: using cloth and cutting techniques with the same skillful mastery as a painter wielding brush on canvas. In its simplest form, working with artists can be seen to add an intellectual ‘kudos’ to an industry that's sometimes seen as frivolous. ![]() Watching a designer at work, evolving a collection from sketchbook to shop floor, is akin to witnessing a fascinating alchemy where a mix of diverse cultural influences shape the way we dress.Īnd our industry’s links with the art world have long formed part of that process. ![]() In my work in the fashion industry, I’ve always enjoyed being party to the fashion world’s creative processes. ![]()
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